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Syllabus Painting Senior Secondary NIOS

Syllabus in English Medium


Course Structure of Painting


Mode of Evaluation

Duration in hours





























Practical (Three Papers)

















Part I : Object Drawing









?  Composition and Drawing










Treatment of Media









?  Overall impression


















Part II : Painting and Composition








?  Compositional arrangement including










emphasis on the subject expressed









?  Treatment of media









?  Overall impression


















Part III : Folk Art as Motif









?  Design and Layout









?  Overall impression


















Portfolio Submission










Complete work










Quality of work

Self paced








?  Presentation










































·                 L-1 Art of Indus Valley Civilization

·                 L-2 Art From Maurya To Gupta Period

·                 L-3 Ajanta Caves

·                 L-4 Temple Art And Sculpture

·                 L-5 Indian Bronzes

·                 L-6 Indo- Islamic Architecture

·                 L-7 Mughal School

·                 L-8 Rajasthani School Of Painting

·                 L-9 Pahari School Of Miniature Painting

·                 L-10 Deccan School Of Painting

·                 L-11 Company School

·                 L-12 Pioneers Of Contemporary Art Movements In India

·                 L-13 Contemprary Art Of India

·                 L-14 Folk Painting


Painting Practical Syllabus 


·                 L-1 Object Drawing

·                 L-2 Nature Study

·                 L-3 Fundamentals Of Painting

·                 L-4 Composition

·                 L-5 Sketching From Life And Memory

·                 L-6 Folk Art As Motif


Painting (Practical Guidelines)


List of Practical

1.                Study And Draw Basic Shapes And Volume Of Objects In Individual And Group

2.                Differentiate between the man made and natural objects.

3.                Use of light and Shade to achieve volume and depth in terms of perspective.

4.                Study of rhythm, harmony, balance and texture.

5.                Application of primary, secondary and complementary cool and warm colours according to the need of the composition.

6.                Arrangement of forms in pictorial space after assimilation of elements studied.

7.                Create composition to express feelings and emotions.

8.                Documentaion of visual experience, capture the movement, mood and the characteristics with instant perception.

9.                Manifest forms from stored perception of studies of visual experience in the memory.

10.             Study the traditional folk motifs.

11.             Study of methods and materials of folk art.




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